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TMM: Bloodline is coming back as a 16 year premiere

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Published: 2025-08-23 09:19:40
Discovered: 2026-02-05 14:26:51
Hash: 091bdae3f52f03de6a2ea0222ff31cbc15960548
https://www.tornevalls.se/tmm-bloodline-is-coming-back-as-a-16-year-premiere/
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
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00:00



























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In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.

History (2 versions shown )

Changes

From 2025-08-23 09:19:40 (discovered: 2026-02-05 14:24:05) hash: c878118d2118d37e5404136f786ebb92b8eab861
To 2025-08-23 09:19:40 (discovered: 2026-02-05 14:26:51) hash: 091bdae3f52f03de6a2ea0222ff31cbc15960548
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_75 #sonaar_music_41 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_75 #sonaar_music_41 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_75 #sonaar_music_41 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_75 #sonaar_music_41 .album .album-art img { border-radius: 0px;} #sonaar_music_75 #sonaar_music_41 .sonaar-grid .album { padding: 0px;} #sonaar_music_75 #sonaar_music_41 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_75 #sonaar_music_41 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_75 #sonaar_music_41 .sonaar-grid { justify-content: center; } #sonaar_music_75 #sonaar_music_41 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_75 #sonaar_music_41 .playlist, #sonaar_music_75 #sonaar_music_41 .buttons-block { width: 100%; } #sonaar_music_75 #sonaar_music_41 .playlist { margin: 0px; } #sonaar_music_75 #sonaar_music_41 .srp_tracklist { margin: 0px; } #sonaar_music_75 #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_75 #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_75 #sonaar_music_41 .srp_subtitle { text-align: left; } #sonaar_music_75 #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_75 #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_75 #sonaar_music_41 .srp_subtitle { margin-left: 0px; } #sonaar_music_75 #sonaar_music_41 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_75 #sonaar_music_41 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_75 #sonaar_music_41 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_75 #sonaar_music_41 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_75 #sonaar_music_41 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_75 #sonaar_music_41 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_75 #sonaar_music_41 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_75 #sonaar_music_41 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_75 #sonaar_music_41 .album-player .control { top: 0px; position: relative; } #sonaar_music_75 #sonaar_music_41 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_75 #sonaar_music_41 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_75 #sonaar_music_41 .srp-play-circle { border-width: 6px; } #sonaar_music_75 #sonaar_music_41 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_698499e81b9b3 srp_player_params_69849a91e2bf3 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_698499e81b9b3 srp_player_params_args_69849a91e2bf3 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-698499e81b9b3"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69849a91e2bf3"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-698499e81b9b3"); setIronAudioplayers("arbitrary-instance-69849a91e2bf3"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.

Versions

  1. 2025-08-23 09:19:40
    Discovered: 2026-02-05 14:26:51 Hash: 091bdae3f52f03de6a2ea0222ff31cbc15960548
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
    #sonaar_music_41 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_41 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_41 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_41 .album .album-art img { border-radius: 0px;} #sonaar_music_41 .sonaar-grid .album { padding: 0px;} #sonaar_music_41 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_41 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_41 .sonaar-grid { justify-content: center; } #sonaar_music_41 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_41 .playlist, #sonaar_music_41 .buttons-block { width: 100%; } #sonaar_music_41 .playlist { margin: 0px; } #sonaar_music_41 .srp_tracklist { margin: 0px; } #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_41 .srp_subtitle { text-align: left; } #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_41 .srp_subtitle { margin-left: 0px; } #sonaar_music_41 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_41 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_41 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_41 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_41 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_41 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_41 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_41 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_41 .album-player .control { top: 0px; position: relative; } #sonaar_music_41 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_41 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_41 .srp-play-circle { border-width: 6px; } #sonaar_music_41 .srp_search_container .srp_search { padding: 15px 15px; }














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    if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69849a91e2bf3"); }

    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  2. 2025-08-23 09:19:40
    Discovered: 2026-02-05 14:24:05 Hash: c878118d2118d37e5404136f786ebb92b8eab861
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
    #sonaar_music_75 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_75 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_75 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_75 .album .album-art img { border-radius: 0px;} #sonaar_music_75 .sonaar-grid .album { padding: 0px;} #sonaar_music_75 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_75 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_75 .sonaar-grid { justify-content: center; } #sonaar_music_75 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_75 .playlist, #sonaar_music_75 .buttons-block { width: 100%; } #sonaar_music_75 .playlist { margin: 0px; } #sonaar_music_75 .srp_tracklist { margin: 0px; } #sonaar_music_75 .sr_it-playlist-title, #sonaar_music_75 .sr_it-playlist-artists, #sonaar_music_75 .srp_subtitle { text-align: left; } #sonaar_music_75 .sr_it-playlist-title, #sonaar_music_75 .sr_it-playlist-artists, #sonaar_music_75 .srp_subtitle { margin-left: 0px; } #sonaar_music_75 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_75 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_75 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_75 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_75 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_75 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_75 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_75 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_75 .album-player .control { top: 0px; position: relative; } #sonaar_music_75 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_75 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_75 .srp-play-circle { border-width: 6px; } #sonaar_music_75 .srp_search_container .srp_search { padding: 15px 15px; }














    00:00



























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    if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-698499e81b9b3"); }

    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.